Crisis Chronicles Press is pleased to present our long-awaited latest title, Ode to Horatio and Other Saviors, a compelling collection of poetry by Carolyn Srygley-Moore.
"Carolyn Srygley-Moore’s poetry always enhances its relevance through specificity of coordinates in time and place. The poet has been a consistent fighter for animal rights and animal rescue services, tying them to imagery of human atrocities. In this collection, we go back to a specific era in 2012, and a specific friend named Evy, discovering the poems that illuminated the euthanasia of that dear friend. Her afterword essay is sure to bring tears. But that is Carolyn Srygley-Moore’s power."
"A book of poems that takes you through meeting and instantly connecting with a beautiful pup, a snow white pit bull named Evy, coming to the awareness that this loving dog has issues that will be to its own demise, through no one’s fault. A book of poems on learning what it’s like to have that love and deep connection, yet coming to awareness and understanding that the ultimate choice had to be made — and the realization of actually having no choice, in reality, of having to surrender your animal to euthanasia. Walking down the road of having to come to terms with the fact that this loving dog could be/was a danger, especially towards children. Sweet Evy could be triggered at any moment in time, without warning, without any rhyme or reason, to become aggressive and dangerous and do severe harm to another body. This book is a roller coaster ride of emotions and mental anguish of having to euthanize this beautiful animal who you love so dearly."
"Carolyn Srygley-Moore is a poet of enormous sensibility who combines confessional elements with a capacity to do what Heidegger said poets were for, which is to reveal the Being behind beings. Description of a whole array of things, however “poetic”, does not a poem make. Following a set of rules, merely emulating the constituents of a “canon of taste” will, almost infallibly, make “poets” crashing bores.
"We write, Heidegger reminds us, in “a destitute time” & “in default of God”. As an atheist, I am OK with this. Carolyn, however, does not like that “no god any longer gathers men & things unto himself.” Nothing shines any longer, it is night. The task of the poet is to find the wholesome. & the holy that relates to it, in the unholy that s/he depicts. This book deals with the subject of “euthanasia” of animals, in particular the “euthanasia” of one of the writer's dogs for alleged aggression. “Euthanasia” is far too frequently resorted to as part of the morally dubious treatment of pets in the USA, & it is remarkable that Carolyn deals with the subject with great restraint.
"Wherever Carolyn writes of that which is bad, the fact of her shows us what Hölderlin points out, that wherever there is danger there is also the seed of that which can save us. Because Carolyn is a great poet, the solution is not just hers, it is for Everyman. Although humans, or liars, as they are also known, work to destroy innocence, the poet in his or her poem points to where the future divinity will be found, or the future focus of being. It will not be in people, or anything anthropomorphic.
Carolyn Srygley-Moore (C Leigh Moore) is a writer who has encountered a variety of issues in her career. She has been published in Red Fez, I Am Not a Silent Poet, and other venues. Ode to Horatio parallels the plight of humanity with the plight of dogs randomly placed on death row. Carolyn's falling in love with the pit bull was ostensibly the beginning of years advocating for victims of breed specific legislation, including all breeds deemed dangerous by landlords and insurance pitfalls. She found the greatest meaning in her endeavors as transporter from shelter to adopter to foster etc. from winter 2019 to 20. Carolyn has had two emergency craniotomies leaving her with the current inability to drive. As well as caring for her own rescued pets, this elegy is the writer’s current contribution to the cause. Carolyn is a graduate of Johns Hopkins University in Baltimore, where she recalls the night she fell passionately in love with language. Forty years later, that passion has lasted.